As promised before, we are releasing today a new build of Mnemons’ alpha. This is the last build we will release of Mnemons in a long time and, I’m not gonna lie, probably ever. March 14th we will be dropping steadily our work and support on Mnemons and Semblante and we will start from scratch a brand new project.

Download Mnemons Alpha (0.2)

These are the changes from the last version:

*    Music on the hub should be working properly now.
*    Fixed a problem with the music loop on certain stages.
*    Added different graphic settings for the game:
**    F1 for Best settings: this is the regular graphics settings with lowest performance, which needs a good video card to run smoothly. It’s the default mode.
**    F2 for Better settings: this mode removes some graphical effects, improving performance. Mid-range to budget graphics cards can run this mode smoothly.
**    F3 for Good settings: this mode removes all shaders and graphical effects. Use it if you have an IGP or legacy cards that can’t run the game properly even on the previous mode.
**    You can change the graphics settings at any time during the game or at the main menu. The changes only takes effect when you change stages, however.
*    Up to 46% performance improvement on all of the aforementioned modes by using a new rendering method for the Lethe, which means that if the game only slowed down on stages 1-6, 1-7 and 3-2, it will probably run smoothly now even on Best settings.
*    Added a brand new stage: 3-3.
*    Small fixes on stages 1-7 and 2-4. They should be less challenging now.
*    And some other small fixes…

And, oh yes! The image of this post is a wallpaper from our Mnemons Wallpaper Pack! Grab yours now!

Yesterday was Aduge’s 3rd birthday!!!

Hello again!
Bruno already told you in the last update, I’ve just finished the character concepts arts. I’ve done around 100 concepts since the start of the project, and I think that, having finished the entire set, it’s a good time to start telling you the making of those characterss, back from the first week of April 2009.

At that stage of the project we’re working in the Tsar Project for a month, basically developing the idea, researching and searching for plots that would express our goals. And then came the question: how to translate all this visually?

To answer this I’ve first worked in the characters graphic style. Interestingly, after those 8 months, and all the researches I’ve done along with Ingrid for our graduation project, we’ve developed a methodology of creating visual worlds focused exactly in the characters style.

Some of our first references were illustrations by Vladmir Semenov

This creative process started with the selection of a character that could be both generic enough so it won’t need many individual features and could carry as many cultural and contextual elements as possible. A soldier was a natural choice at the time: we’ll have plenty of them in the Kremlin and they seemed the more neutral characters in the cast. Upon that, Muscovy armors and arms from the period were some of our major visual references in the beginning of the project.

Set the character, a Muscovy soldier wearing a heavy armor  and wielding a spear-axe, I’ve done a set of sketches during the first two weeks of April. What I had in mind was to see all the possibilities, from realism to pure geometric abstraction, from childish cartoons to the complex frenchphonic comics. The result was the next image, that we now call the Father of all Tsar Art. He’s a hand drawn lad 2 and a half inches high, made of indian ink and markers.

The next step was choosing a direction to go and explore it deeper, testing other characters in the same style. I’ve done that with another soldier, lighter and faster, and with a nobleman. A very synthesized style turn to coherent and flexible, allowing good consistency for the characters without needing too much visual complexity, just what we’re looking for.

And how the character creation continued I’ll tell you on my next post! See you soon!

Last time I spoke briefly about the Tsar Project’s themes of aloneness and patience and how they are thought to be integrated with the gameplay and other aspects of the game. Now it’s time to talk about the gameplay itself, more on general terms rather than on specific details. What it means is that I will talk about how the game will be played/experienced on a general level, trying to not spoil too much of the experience proper.

To begin with, Tsar is an infiltration mission.  The protagonist is an outsider, an invisible summoned creature inside the heavily guarded and tense Moscow Kremlin Palaces. A mission is presented, but it hardly matters, the character is where it shouldn’t be, and there are people that will attack anything that don’t belongs there. Thus, the game objective is quite clear: avoid all guards, civilians, animals (read: everyone) and reach your destination within a set time limit. Failing to elude the obstacles means a very hard time for the player, or simply failing the game itself.

And what means this character has to complete its objective? As said above, it is an invisible creature. No human can see it under normal conditions. Although particles, debris, snow, blood or and any other mundane object over this creature’s body remains visible. So it’s for the best to avoid getting dirty. And even if invisible, the character still makes sounds which can be heard by any attentive guard, so silent movements are still important. Also, the protagonist (it’s name shall remain a mystery, for now) is very athletic and agile, being capable of exploring the environment with great mobility. Now it may seems pretty easy, right? Not that much. There’s one major vulnerability in this playable character that enforces the game as a “sneaking mission”. The protagonist is fragile. Fragile to the point that any wound can mean it’s death. A direct combat situation is extremely adverse to the player and even if this character is powerful enough to kill or incapacitate most humans in one single strike, this kind of situation remains a risky gamble that should be avoided.

Another interesting aspect of the game is related to it’s time limit. The player has one in-game night to complete the mission. All characters (and I mean all of them) that inhabit the Moscow Kremlin have their routines and their stories on this particular night, as the time progresses. The player can simply watch everything or take action and see the results, whichever he wants. Guards will stand watch, workers will do their jobs, everyone will sleep, eat, or do whatever else people do. There is also a behavior system which conducts every character’s actions and reactions that will result in a very complex AI system, where enemy characters will not be as dumb as players are used to.

To sum it up, the Tsar Project is a stealth game where the player must elaborate routes and actions that are the most efficient to reach a destination without being seen or raising suspicions. Killing guards seems easy, but it’s not a very good idea most of the time (as it can cause a full scale alert, locking paths and whatnot) or going the most obvious and guarded route is not as efficient as using other sneaky and more subtle paths. When playing Tsar, remember: you are invisible, you are alone, you are deadly, but you still breath and is mere flesh and blood as any other. Better tread carefully.

Wanderer above the Mists - Caspar David Friedrich

So, we said we have a new project. We even posted a production update of it. But… we still didn’t present it properly did we? Well, let’s correct that. Presenting: Tsar Project.

Most people upon contact with a new game simply ask “what kind of game is this?” and are satisfied by the fairly superficial answer. Simply put, Aduge’s current project is a challenging stealth game set on XVI century Russia. We could go on and on about the game’s mechanics and features, but this wouldn’t present Tsar Project more than it’s outermost layer. To most players this would do, but the target audience of our studio isn’t most players. When it comes to Aduge’s projects the more correct question we’d like to hear is “what is this game about?”. This type of question let us explain why Tsar Project is a challenging stealth game set on XVI century Russia which is the heart of the “problem”, so to speak.

Now, getting finally to the point of this post: Tsar Project as a game is about aloneness and patience. It’s not just a story about aloneness and patience, it’s a game about these concepts. This means that the game itself through it’s mechanics and challenges deals with these concepts.

Aloneness not in the sense of loneliness, but in the sense of distancing an individual from a group, up to the point he becomes a complete outsider. In Tsar’s case, the player will be immersed on the main character’s mind which is alien to the universe of the game itself, hence the feeling of aloneness. Other supernatural traits of this main character contribute to the distancing and the feel of aloneness, but the nature of these traits we leave to another opportunity.

This is a game about waiting and that is what makes it difficult in the first place. The more reckless or hasteful the player is, the more mistakes he will eventually make and this will compromise his/her task. It’s a true stealth game, where active push and aggressive behaviors end up biting the player’s hand in the long run. Waiting, contemplating, looking for patterns, reading behaviors, these are actions that rewards the player more than his skill at pressing buttons at the right time.

That being said, this is only the conceptual guide that drives the game development and design. But that is not the “right” meaning of Tsar Project and we still encourage players to play and interpret the game the way they want to. See you next post!

March 2009: Aduge starts developing it’s new game, code-name Tsar Project.
April this year: We move to our new headquarters in the Azuri Building
May: The studio turns 2yo.
July: The Adugans buy an espresso machine
September: Still no welcome party? How can it be???

Not anymore. One week ago, on September’s 8th, the so long waited Aduge’s Coffee Party took place in the three rooms of the Azuri Building currently used by the studio; being them the Headquarters Proper, Sun’s Bedroom and The Kitchen. We’ve had some of our closest friends, many types of special Brazilian coffee grains, and obviously, games.

Ingrid and Marcel competently took the charge of coffee tenders, and, among normal espressos and cappuccinos, prepared some interesting variants such as machiattos, nutella mochas and our exclusive brigadeiro coffee. We had breads, pies, cakes and snacks provided by our beloved guests. And for the games, N64′s Super Smash Bros. and Mario Tennis and CPS3′s Street Fighter 3 Third Strike (tough we don’t have a proper CPS3 machine, yet, we do the best we can with an emulator). The most remarkable challanges were undoubtedly the 4 players Smash Bros. ones.

We would like to thank our amazing guests and certify you that it was a real pleasure and reason of great happiness to us all to see you around here, so,come back soon! And for those that haven’t visited the studio yet, be sure, we are awaiting your visit!